His flicks were usually hit-or-miss; he's in some classics, he's in some dogs(like the toss away "wrestling" flick Down for the Count, a better title for his career immediately after making that woofer). But, his scenes in Powerline are nothing short of electric. He's all body, light chest hair, and a big old ass-splitter hanging between his thighs. He and Nick play two butchboy construction workers who work overtime on their toolbelts; it's a goodie.
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